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									DaVinci Resolve - Action Video Lab Forum				            </title>
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                        <title>How are people bringing GoPro GPS overlays into Resolve?</title>
                        <link>https://actionvideolab.com/community/davinci-resolve/how-are-people-bringing-gopro-gps-overlays-into-resolve/</link>
                        <pubDate>Fri, 14 Aug 2026 03:02:58 +0000</pubDate>
                        <description><![CDATA[Resolve is already part of my color workflow, but I also want speed and route graphics from action-camera telemetry.

Are people generally extracting telemetry first and compositing it, or i...]]></description>
                        <content:encoded><![CDATA[Resolve is already part of my color workflow, but I also want speed and route graphics from action-camera telemetry.

Are people generally extracting telemetry first and compositing it, or is there a cleaner approach?]]></content:encoded>
						                            <category domain="https://actionvideolab.com/community/davinci-resolve/">DaVinci Resolve</category>                        <dc:creator>Telemetry Demo</dc:creator>
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                        <title>Resolve proxies for 8K 360 footage: optimized media or external proxy files?</title>
                        <link>https://actionvideolab.com/community/davinci-resolve/resolve-proxies-for-8k-360-footage-optimized-media-or-external-proxy-files/</link>
                        <pubDate>Wed, 12 Aug 2026 07:54:58 +0000</pubDate>
                        <description><![CDATA[I am testing 8K 360 footage on a laptop. Native playback is the bottleneck long before effects.

Do you prefer Resolve&#039;s internal optimized/proxy workflow or creating reusable proxy files ou...]]></description>
                        <content:encoded><![CDATA[I am testing 8K 360 footage on a laptop. Native playback is the bottleneck long before effects.

Do you prefer Resolve's internal optimized/proxy workflow or creating reusable proxy files outside the project?]]></content:encoded>
						                            <category domain="https://actionvideolab.com/community/davinci-resolve/">DaVinci Resolve</category>                        <dc:creator>Codec Demo</dc:creator>
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                        <title>Resolve color management for mixed GoPro Log and normal clips</title>
                        <link>https://actionvideolab.com/community/davinci-resolve/resolve-color-management-for-mixed-gopro-log-and-normal-clips/</link>
                        <pubDate>Wed, 12 Aug 2026 01:30:58 +0000</pubDate>
                        <description><![CDATA[I have a project with flat/Log action-camera clips mixed with standard footage. I want a managed starting point without manually rebuilding every shot.

How do you organize the timeline so t...]]></description>
                        <content:encoded><![CDATA[I have a project with flat/Log action-camera clips mixed with standard footage. I want a managed starting point without manually rebuilding every shot.

How do you organize the timeline so the normal clips do not get transformed twice?]]></content:encoded>
						                            <category domain="https://actionvideolab.com/community/davinci-resolve/">DaVinci Resolve</category>                        <dc:creator>HDR Demo</dc:creator>
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