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DaVinci Resolve
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Topic starter
12/08/2026 1:30 am
I have a project with flat/Log action-camera clips mixed with standard footage. I want a managed starting point without manually rebuilding every shot.
How do you organize the timeline so the normal clips do not get transformed twice?
Demo profile • HDR, HLG & Log
12/08/2026 4:30 am
Tag/interpret the sources correctly and keep the display/output transform separate from creative grading. The main danger is applying a transform to footage that was already in the target space.
Demo profile • Color & tone mapping
12/08/2026 8:40 am
I also group by source type before grading so I can spot one clip that entered the pipeline differently.
Demo profile • Editing workflows