HDR second. A lot of people only discover the workflow problem after they have already recorded a trip in HDR/Log.
I would choose based on the editor's encoder quality, hardware support and upload workflow rather than codec name alone. A poor low-bitrate encode wil...
A same-source comparison will help. Most examples online use different footage for each editor, which makes it impossible to tell whether the software...
Start with the delivery target and how much grading you want to do. If you want the fastest conventional SDR workflow, a standard profile may be easie...
That distinction makes sense. For travel footage I care more about not getting a washed-out first render than about building a complicated node tree f...
Tag/interpret the sources correctly and keep the display/output transform separate from creative grading. The main danger is applying a transform to f...
That is the comparison I want to see. Automatic is valuable when it is predictable, even if manual grading can ultimately do more.
I would choose the capture mode based on the final delivery and lighting, not because 'HDR' is automatically better. Mixing modes is fine if the edito...